The birth of this artistic is electronically linked to a legend, it is said that Vuk Cosic, pioneer Net.Coulture European Union has received a message from an anonymous sender, indecipherable because of the incompatibility of the software. The only piece that seemed to make sense was:
[...] J8 ~ g # misunderstandings that may arise from the difficulty of distinguishing different kinds of artists on the Net:
• Art On The Net - The implementation in network works of art;
• Web Art - The use of the network as a tool illustration and distribution of works;
• Digital Art - Three essential parameters: the content of the work, technique and method;
• Pixel Art - A pixel is the basis of the technique of pointillism,
• New
Screen Art - The new art of the screen;
• Net.Art
- Art to the network, an intangible art form in which the work is replaced by the event where communication is required the intervention of who benefits from that can manipulate in endless ways to make sense.
net.art exists and can be enjoyed only online
.
E 'where the artist becomes a spectator of his work that can be defined as a collective program, a system that can be expanded in an infinite random from everyone who comes into contact.
The user in turn becomes a co-author of the work through a series of acts that become as creative as the copy-paste, download and upload in a reproducible process all’infinito.
Una delle caratteristiche della Net.Art è la sua infinita riproducibilità, dove la copia è perfettamente identica all’originale. Si va, dunque, a perdere il signicato di autenticità.
L’
Opera.Net
si distingue, inoltre, per la sua
intrinseca interattività che si manifesta in diversi modi: tra uomo e macchina ma, anche, come collaborazione e comunicazione fra gli artisti.
Gli
0100101110101101.ORG , in un’intervista realizzata da Tilman Baumgaertel,
grande teorico di questo argomento, dichiarano di non considerarsi “artisti ma, solo spettatori”. Certamente are developing new types of both author and spectator, where roles often become interchangeable.
seems to be definitely come to the popularization of art!
net.art has become an art form internationally recognized, but nevertheless, it still holds a place in the very first press. This is probably because the net art, like all avant-garde art, and tries to avoid bypass - though unlikely - any form of institutionalization.
And now ... for a while 'net.art, I recommend a look at the map Jodi which highlights a number of media lab, networks and groups that activism Net art or attend
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